Anonymous asked: My teenaged daughter has recently started a webcomic. Could you give her one piece of advice that has helped you and one piece of advice that absolutely has not? Please indicate which is which. Thanks!
Good advice: Make your comics and put them online, then make more then keep doing that without stopping for at least 2 or 3 years before you expect ANYTHING in terms of recognition or readership.
This accomplishes several things. 1) It keeps you from viewing your work as precious. Don’t obsess over one piece, draw and redraw, correct and perfect it all while never posting it. You get better by making MORE comics. Not by making the same comic over and over. 2) It gets you accustomed to the cycle of creativity. Have an idea, refine it, make it, put it up, repeat. 3) It gets you accustomed to taking and responding to feedback and criticism. The more work you post the more readers you’ll get and the more opinions you will start to receive directly or indirectly about your work.
More good advice: ALWAYS ALWAYS ALWAYS ALWAYS be kind. Be kind online, be kind in person, be kind to your readers, be kind to your fellow artists, be kind to the world. This is important above all else because 1)Being an online persona means YOU are the product you are selling. If your product is a total dickbag, the only people who buy it will be total dickbag enthusiasts. 10 years down the road and you realize all of your readers are assholes and you’ve hand picked them because of how you acted. 2) Your peers talk about you when you aren’t around. They decide who to work with on collaborations, who to bring in on new opportunities and who share hotels/booths/wonderful experiences with at conventions. Word will get around SO VERY FAST if you are not a nice person and you will start to wonder why fun projects keep passing you by. 3) Can anyone honestly come up with a reason to NOT always be kind? When looking for a default behavior, you can’t do much better than this.
Even More good advice (lightning round): Don’t worry about merch. Worry about making good comics. Dont worry about getting more readers. Worry about making good comics. Don’t EVER compare your perceived success to that of your peers. You don’t know their situation, or how they came about what you think they have that you might want for yourself. Just worry about making good comics. Never envy your peers money, readers or success (sounds a lot like the last one right? That’s because it’s super important.) Instead, envy how hard they’ve worked and try to emulate that. Also, just worry about making good comics. Don’t try to find success by doing exactly what another artists has done. We all have different paths to success and you’ll do better finding your own rather than copying someone else (in art as well as in business). Also just worry about making good comics.
The worst piece of advice I ever got: Get an invitation to the cool kids table, i.e. Get in with this certain clique and you’ll be instantly welcomed into the secret world of webcomic success. This secret club, community, group, whatever you want to call it DOES NOT EXIST. I spent too many years waiting for artists I admired to take notice of me that I eventually started to obsess over making them like me. Spoilers, it never happened and I had nothing to show for all that worry and grief. I gave absolute strangers power over my mental well being that they didn’t even want and certainly didn’t deserve. Don’t worry about making “powerful” friends. You will make more friends in this industry by BEING a good friend first. Offer help, offer support, share your audience with artists whose work you admire. Be honest, be genuine and be kind. Repeat that 1000X in your head every day until it’s the only thing you even understand anymore.
By the way, the person who gave me that terrible advice was me.
SPREAD THE DAMN WORD
THAT WAS COOL
My hands are too small to do this effectively.
I wish I wasn’t iPod
if you’re on ipod you just hold down the reblog button
wtf just happened??
In medieval culture, an event like a royal christening is not a private party; it’s the public social event of the year. To not invite any person of rank to such an event is a deadly insult.
Maleficent is certainly someone you wouldn’t want at a party, but she’s also someone powerful enough that only a fool would ever dare treat her with such blatant disrespect. The only way the King and Queen could possibly have gotten away with not inviting Maleficent was to not invite any of the fairies at all; inviting the other fairies and excluding her is explicitly taking sides in the conflict between the fairy factions.
Which means they made themselves her sworn enemies, and she responded by treating them as such from then on. If you actually get into analyzing the social dynamics of the scene, it’s very clear that Maleficent was willing to show mercy at first by giving the King and Queen a chance to apologize for their disrespect to her. She doesn’t curse Aurora until after she gives them that chance and they throw it back in her face with further disrespect.
And yeah, if the King and Queen had done the properly respectful thing and invited her, Maleficent would have given Aurora a scary awesome present. Moreover so would the other fairies, because at that point both sides would be using it as an opportunity to show off and one-up each other. What they gave her before Maleficent showed up was basically just trivial party favors by fairy standards.
How do you know so much about the social dynamics of medieval fairies
How don’t you
THIS IS GETTING NO COVERAGE, FUCKING REBLOG THIS SHIT. THIS IS SOME VILLAIN SHIT.
"My sight is failing," she said finally. "Even when I was young I could not have read what was written there. But it appears to me that that wall looks different. Are the Seven Commandments the same as they used to be, Benjamin?"
For once Benjamin consented to break his rule, and he read out to her what was written on the wall. There was nothing there now except a single Commandment. It ran:
ALL ANIMALS ARE EQUAL BUT SOME ANIMALS ARE MORE EQUAL THAN OTHERS.”
- George Orwell, Animal Farm.
"Democracy has been suspended"
I wish I had better words to articulate my feelings on this. But the ANIMAL FARM parallel is so apt it’s frightening.
If we are so predictable a creature, that Orwell’s book can draw from instances of the past, and still be viable point of comparison now, then we have nothing to conclude but that these practices, though benefiting a few in the short term, without interference, will prove short-sighted and facilitate the undoing of those that abuse them in the long term.
Just watching this I can only shake my head. The guy is pretty much asking “So what you’re saying is the majority holder, aka the Republican house leader, is the only one with the power to reopen the government? You know, one of the many people that decided to close it in the first place?”
Response: “No commentary.”
"Ah I see, I must have fallen asleep in my cold cereal the day this change happened, my bad."
Also, that excerpt from “Animal Farm” was spot on.
what if we’re all characters in a book
WHAT IF WHEN YOU FORGET WHAT YOU WERE GOING TO SAY IT’S THE AUTHOR BACKSPACING
guys why isn’t everyone reblogging this it’s…
What if when you feel like something is missing from a situation that it was just the writer cutting out a page of scene description?
The dog in the background barking was irrelevant. :(